By Brad Needham

The world is a big place. To break it down for this blog, when in came to celebrating all the magical newspaper entries from the Society for News Designs Best of News Design competition I have broken it down into Canada (because I live and work here), the U.S. and the rest of the world. And that is not to diminish the rest of the world. The work coming out from newspapers around the world is astounding, which in itself is astounding given the times we’re in. Which brings me to where I want to start. The World’s Best Designed Newspaper, SND’s highest honour.

This year I had the great honour of being a facilitator for this competition. I got to watch them wittle down the entries to four finalists, and from there to choose one paper. The discussion was riveting. It came down to the New York Times, de Volkstrant, Het Parool and Die Zeit. Anyone who follows me knows I love de Volkstrant. Seeing it make the final was very satisfying.

After days of review and debate/discussion, Die Zeit came out on top. While all these newspapers have huge strengths, Die Zeit is worthy of this lofty title.

What makes a world’s best-designed newspaper? So, so many things. One word that was heard again and again was “considered.” Everything is so considered. All the little details. Nothing was overlooked. Things like drop caps, the spacing of words that wrap around images, kerning, and so on. But also the big things. Photo choices, how and when illustrations are used, how the text worked with art and the design. The funny thing was it was so well designed, it was remarked that the design falls to the background. Except when it doesn’t. The design is so remarkably clean, but sometimes they go big. And their use of photos and graphics? Considered. Everything is so artistic, they said. The judges could tell there was collaboration between editors and designers, which is imperative if you want to go from a nice paper to a top paper. Even more needs to happen to elevate a paper to world’s best designed. Congrats to Die Zeit for doing all of this and more. It shows.

While Die Zeit may not have many of those big “wow” pages, it still has some amazing, striking pages that take their clean and refined design to another level, and that clean design is already at another level. It really is a paper that rises above. I’ll start by showing some pages from Die Zeit, followed by a selection of some of the best pages from the rest of the world, Canada and U.S. excluded. You can see those here (Canada) and here (U.S).

“Great print design paints a coherent experience for the reader where every carefully chosen element contributes to convey more than the sum of its parts.”

Judges’ statement

Die Zeit

Die Zeit is a weekly paper out of Germany. So that is one main difference from the papers it was up against. First, I will show a selection of some consecutive pages. Just to lull you into thinking it’s just a nice clean design. But this is what readers would see every day as they start flipping through their newspaper. After those pages, I’ve included some with sizzle. Text as design, illustrations and graphics, colour.

This one is one of my faves from Die Zeit. Every year one paper does a funky text design that grabs onto me and won’t let go. This was this year’s. I love the bend, that the text is still so well spaced and readable. The E. And they did more incredible text designs. They made a chicken out of text. A chicken! Wait for it. It’s coming.

Die Zeit, Jan. 28, 2021

This page is just funky. That’s all. I love the text treatment. The border. The pic. It actually reminds me of a design I once did, just better. So good.

Die Zeit, Feb. 4, 2021

A chicken! Out of text! Over a two-page spread!

Die Zeit, March 31, 2021

I’ve included a few more separately. They were too good to be missed.

Die Zeit, Feb. 18, 2021
Die Zeit, Jan. 21, 2021
Die Zeit, June 2, 2021

And so so many more stunning, smartly designed pages. This slide show has a number of them, but it’s still a small sampling of the work that comes out of this paper every week. Just such amazing attention to detail on every page.

The rest …

There were more than 3,500 entries in this year’s competition, up from the previous year, which is encouraging. Of those, there were more than 800 winners. If that sounds like a lot, keep in mind the 3,500 entries consist of what designers from around the world considered their best work, work worthy of award consideration. I look at 500+ front pages every day. That’s just covers. I can’t even begin to fathom how many pages are produced each year. How many great pages weren’t entered.

Alas, you’ve seen Canada. You’ve seen the U.S. Here is a very slimmed down selection of pages from the rest of the world. One of the things I love about newspapers from other countries is that they often look so different than the typical North American newspaper. They take a different approach, have different design philosophies. But one thing is clear with all them: they want to wow their readers. This will mark my last post from SND 43, but it may not be the last you see of some of the pages in this post as I try to gently coerce the incredible designers behind some of these pages to talk to me about their work. First up, Politico Europe and Politiken!

Politico Europe

There is such a range of pages from Politico Europe. A lot are illustration-driven. And the illustrations are beautiful or haunting or striking. I will start with the snowman. Every time I saw this little guy, and the person in the window, I felt something. I want to feel happy. But then …

Politico Europe, Nov. 25-Dec. 1, 2021

This spread is so well done. The art is striking, the headline is strong, both words and design. It’s clean, but with some surprises. The headline is almost jarring as set up, but I feel it’s supposed to be. It’s not the age of peace, after all.

Politico Europe, Oct. 14, 2021

In this slide show, again, there is a great variety, starting with this dark image, and ending with a section about doers and dreamers that makes me smile. Every page makes me smile.

Politiken

I’ve long been a fan of Politiken. I feature pages from this publication on my Instagram frequently. This was a page I featured here. I put it in with my Christmas collection even though I wasn’t sure if it was meant to be a Christmas page. But the entry was called wrapping paper! So it is.

Politiken, Dec. 24, 2021

And now for something completely different. The next two pages are from the same award-winning portfolio by designer Caroline Niegaard. What strikes me about these is that they are chaotically bold. They are full of energy.

Politiken, Dec. 29, 2021
Politiken, Feb. 27, 2021

And many more. I love that this paper takes risks. And that its work is so varied. The last three I’ve chosen to show are completely different, but still within character.

Below are some others I have pulled out to highlight. Just some of my faves, but there were so many more incredible entries from other papers. First from de Volkstrant, a page that was featured on my Instagram, and then two from Dagens Nyheter, which I think does an incredible job on covers regularly.

de Volkstrant, Oct. 1, 2021
Dagens Nyheter, Dec. 21, 2021
Dagens Nyheter, Sept. 22, 2021

This page from La Nacion is just so lovely. There is another from them in the slideshow.

La Nacion, Dec. 17, 2021

Arab News has many great pages, but this opinion page really jumped out at me. I love the illustration, and the page itself is just clean and crisp. The American flag features prominently in pages, particularly opinion pages, around the world. It’s used in so many different ways to convey so many different ideas.

Arab News, Dec. 22, 2021

There are a few more South China Morning Post pages in the slideshow. While this is one really works because of the illustration, it was just such a compelling illustration. For the most part I didn’t include pages that won just for illustration. But they also used the small bit of display text so well. I am positive the space in the top left was left for display copy.

South China Morning Post

And the final slideshow from SND 43. There is a wide cross section of pages from multiple publications, such as The Age, The Guardian, The Day, Economic Observer out of China and more.

And that’s it. Another year, another awe-inspiring competition. Inspiring is the right word, as it would be impossible for any newspaper designer seeing the incredible work submitted to walk away without some new ideas, some extra enthusiasm or desire to push just a little harder.

READ MORE: A look back at SND 42
Best from Canada
And the rest

By Brad Needham

More than 3,500 entries. That’s more than 3,500 newspaper pages (way more, as multiple page entries like sections are one entry) that designers and newspapers around the world decided were their best, and submitted to the Society for News Design‘s annual design competition. Nearly 800 winners (798 Awards of Excellence, 68 Silver Medals and 18 Gold Medals). So how does one winnow that down into a blog post? One doesn’t! I tried. Not a chance. So I started by breaking out Canada due to my obvious Canadian bias! But there are still more than 700 left to choose from. So after that, I attempted to cram the rest of the world into one post, but nope. So American papers get their own post, followed by the rest of the world. Even still it’s challenging. Despite newspapers falling on tough times, designers are killing it. So this is an act of curation based on my tastes. And leaving out dozens upon dozens of entries that I dearly loved so that this doesn’t go on forever.

I had the good fortune of being a volunteer facilitator for the second year in a row, for the organization that truly changed the arc of my journalism career. Beside my desk sit five tattered SND books, which they release annually capturing the winners of these competitions. I am beyond humbled to be in three of them, one for a portfolio of work. I had six books, but one got stolen or borrowed and not returned. Do I begrudge that person? No, because my path started by … borrowing two from my first newspaper job when I left. One of those is missing. That’s just the circle of design life.

For SND 43, I was part of the World’s Best-Designed Newspaper competition. Results will come soon. But here, I present the individual entries. If you’ve not been following along, a quick summary of awards. AoE is an outstanding page, one that is deeply considered, uses typography and/or white space and/or art, etc. incredibly well. It’s not design for design’s sake. It is designed with purpose. A silver rises above even further, is exceptional among the outstanding. It could be considered state of the art. And gold. Well, on a gold page, it needs to rise to near perfection, above the outstandingly exceptional. It should be hard for a judge to find a flaw. That is why there are so few. Kerning between two letters, a crop that seems just off, too much or too little white space. All sorts of tiny details prevent a page from being elevated to this level. Because of that, finding the best way to present this (by paper, by theme, by region) is so challenging. I will start with the only gold medal for a portfolio of design (there was another for illustrations).

Brandon Ferrill, Washington Post, Gold Medal for portfolio

The first page in this slideshow was really the talk of the weekend. Universally loved. And fun. There were some hard pages, some big subjects in 2021. COVID-19 was still raging, the Capitol riot, the Taliban in Afghanistan. And so on. And then we have this happy-making page. The entire portfolio is striking. That judges moved an entire portfolio to gold says so much about the quality of this work. And trust me, you will see a lot more from the Washington Post here. When they go big, they win. We win.

Facilitator’s special recognition

At last year’s competition (my first), two pages immediately took my breath away. And it kept piling on. I waited for that experience this year. Nothing will compare to that first experience at SND. Not because the pages aren’t just as exceptional, but you start thinking differently, more critically. You know what can be done. What’s out there. But this year there was a page that really struck me (so many did). But I kept going back to this one. And it wasn’t the Washington Post, the New York Times, the Los Angeles Times or the Star Tribune. It was the Des Moines Register. Maybe it is because I am a champion of the underdog. Maybe it’s because it uses newspaper clippings, which doesn’t often work but really does here. It’s so smartly done. Maybe the lack of colour. Seemingly simple, but quite complex. And the judges must have mostly agreed. It won a silver medal.

Des Moines Register, July 18, 2021
Des Moines Register, July 18, 2021

U.S.: The Big 4 conference

When it came to papers in the U.S., the four I mentioned above really stand out: New York Times, Washington Post, Los Angeles Times and Star Tribune (Minneapolis, and employer of my most recent featured designer, Stacie Kammerling). I will give each paper a slideshow and little blurb. I will exclude the portfolio above from the Washington Post below.

Washington Post

I tried to choose a favourite. I really did. But the first three here are so close, for very different reasons. Some pages are driven by illustrations, some by text alone. I’ve said this before: A good illustration is good on its own, enhanced by a good design. But then there is just good design, and designing with text is skill. Also, when it comes to opinion pages, the Washington Post is among the best in the world, if not the best, largely based on smart illustrations. And I had to narrow this down. I cut some amazing pages out.

The New York Times

What can I say about the New York Times. It’s funny that it’s known as the Gray (Grey) Lady. Because once you get past that iconic grey cover (much less grey than it once was), and past the news section, it’s a marvel. Design beyond most designers’ wildest imaginations. The kids section alone is a masterpiece. Truly brilliant.

There were so many jaw-dropping pages from NYT, so this is truly just a snapshot of the work they produce. There were some I couldn’t do justice to as it would require seeing the entire section. I have included four pages from a section about the struggle of mothers because of the subject matter, and because of the judges’ comments. The section, they believe, is designed in a way intended to make you uncomfortable. It’s far from a standard design. It is jarring. I am so envious. If they are ever looking to hire a designer with a Canadian perspective, feel free to reach out. I accept. In a twist, the one A1/front page I included is so strong because it’s grey. I wrote an entire post about it when it came out in early 2021. The first two pages in the slideshow is two of my faves from the competition. I love little pictures. And the god page is boldly and smartly done.

Star Tribune

Funny thing about all of these four is that if you look at the front page each day, while they are well designed (particularly the Star Tribune, which is just a nice, clean, newsy front most days), they don’t look flashy. But then you get inside. Or then you have those big days. And wow. What is absolutely paying off for the Star Tribune is the state fair. There are always beautiful pages that come from there. To see more Star Tribune pages, other than what I’ve included here, see my recent post on designer Stacie Kammerling. A much more serious story this newspaper has handled so powerfully and with such grace is the George Floyd story. Just incredible, sensitive, yet provocative, boundary-pushing work. I will start there. Then to some fun and fair stuff (the contrast of last year’s fair and this year’s fair in cartoon figures is magical), and I have even included one of those hard-working front pages. And yes, I cut a lot again.

Los Angeles Times

And finally, the Los Angeles Times. Perhaps my favourite paper from last year’s competition. I still absolutely loved it this year. I have started with pages that just use design. Brilliant and bold typography, strong photos, creative white space. Then I get into breathtaking illustrations, followed by a few pages from a special section, which is a clear strength of the Times. They had some outstanding complete special sections, but again, I had to make some choices.

And more

Having these papers down here is not meant to dismiss any of them. They did some incredible work. I had to pare it down somehow. You can see them all here. Below are a few outstanding pages separately, and then another slideshow with more.

The San Diego Union-Tribune, March 21, 2021
The San Diego Union-Tribune, March 21, 2021

This page from the San Diego Union-Tribune was one of my top pages from the competition. It’s a new take on using tallies. It is so well executed.

Houston Chronicle, April 11, 2021
Houston Chronicle, April 11, 2021

I put this Houston Chronicle page in for its simplicity. Proof that you don’t need to do big and wild designs to look good. I love it.

Louisville Courier Journal, July 25, 2021

This Courier Journal (Louisville) page is so compelling and is a creative play on the COVID imagery we have seen again and again. This is new. Very clever.

Here is a selection of pages from The Business Journals. They had a number of winners. They are doing such smart things with illustrations and text. The text on the first page is both understated and bold at the same time! Small, but reverse white on red with a touch of transparency.

And last but definitely not least, a selection from some other publications. I am positive I will look through the pages again and curse when I see a dozen that I forgot about. That’s how much there was to look through. It is a tribute to the incredibly hard-working and talented staff at all the newspapers or news hubs. Thank you for all your work. And your readers do too, even if they don’t know it. It’s hard to know what goes into not only the execution, but also the conception. Amazing.

So there you go. Print is alive. I just proved it.

By Brad Needham

Another year, another Society for News Design Best of Newspaper Design competition! For the second year in a row, I was honoured to be a facilitator, this year in the category of World’s Best-Designed Newspaper. What a thrill. Results of that will come out on March 28.

I feel like the competition could give me fodder for months and months of content. But I will restrain myself to three posts. The first will be on the outstanding work done by Canadian papers. Next will be the rest of the world (so will be much longer!). Then finally World’s Best.

I know I am a broken record, but SND means so much to me. As a print design lover, it first and foremost offers a community of like-minded people. But it also still celebrates print design in a time when that is becoming less frequent. Looking at you Canadian media awards competitions. So many of those involved in print design are behind the scenes. Sure illustrators and photographers get credits. But art directors don’t. Page designers don’t. Headline writers don’t. But without these people, the information you get would be dull.

Canada produced some incredible work this year. However, because I have been following print design much closer over the past year, both here and on my Instagram, not much here will be new to anyone who follows me! It was a different experience this year at SND 43, as there weren’t many surprises, at least from Canada. But that doesn’t mean it wasn’t exceptional, and doesn’t mean I won’t highlight it again.

There were only four newspapers to submit for awards this year, which is such a tragedy, as I know there is other amazing stuff going on in Canada, particularly with my soon-to-be former employer Postmedia, particularly the National Post. They are still producing some of the finest pages in the business, particularly in Canada. And much of that is a credit to one of my former featured designers, Raina Toomey, who moved on to the National Post in late 2021. Postmedia stopped submitting, I believe, after Gayle Grin left. She recently wrapped up some consulting at the Toronto Star, and her touch is obvious there. There were more than 300 entries overall from Canada, more than 3,500 in the competition.

The Globe and Mail won 25 awards, including 24 Awards of Excellence and one Silver Medal. To explain, an AoE is for outstanding work. Work that stands out, goes above and beyond. A silver medal rises above that, just on another level or through a higher degree of difficulty. There are also gold medals, though no Canadian publication earned one this year. For a gold, judges should have a hard time finding any flaw, down to kerning between two letters (a topic that was discussed this year, with a comment: “You could almost fit an i in there.” It should be state of the art, challenging the industry norms. The Toronto Star won eight AoEs, Le Devoir won 5 and 24 Heures 2. I won’t show all the all work here, but a selection from each.

Globe and Mail

I won’t talk too much about each page for the Globe as I have talked about the paper a lot. Things I love about the Globe are the use of illustrations — and the quality and sophistication of the illustrations — as well as its bold and smart use of white space.

Globe and Mail, July 24, 2021

This was Canada’s only medal, for illustration by Connor Willumsen.

Globe and Mail, April 17, 2021

This was one of my faves from the Globe this year. There is so much going on. A lovely illustration by Kathleen Fu. Newspapers, she’s incredible. Take note.

Here are a few illustration-driven pages. There is some really lovely stuff here. I love what Canadian papers do with their Remembrance Day covers. This one by the Globe was so well done. Elegant. Illustration by Kayla Whitney.

And a few more. The Globe does so much with their design, particularly on Saturdays and features sections. I loved the bear cover. It works for the Globe, going so dark on dark, because their cover is on glossy paper. That design might be lost on most papers. Congrats to the Globe for a solid year. Being March already, I can tell you they are off to a good start in 2022 as well!

Toronto Star

Of course I have a soft spot for the Toronto Star. I worked there, and worked directly or indirectly with the Star or Torstar for more than half of my career. Anyone who follows me will know how much I loved the page that came out after the discovery of unmarked Indigenous graves in Saskatchewan. It was so powerful. Here it is, and a few more.

Toronto Star, June 25, 2021

I just loved the imagery here. It was so powerful at a time that needed something powerful. Something to keep the focus on this issue. It’s striking.

And here are a few more. The Star decided to invest in its print product in 2021, which was such welcome news, adding four entirely new positions, including an art director, Becky Guthrie, formerly of the National Post. You can see her influence. I hope that we continue to see such strong work.

Le Devoir

I don’t see Le Devoir as often as the previous two. But I love the design. It is smart and refined. It looks European. Nice clean lines, often simple. Here are a few top-notch pages from them. I will show four of these off individually as none have appeared here or my Instagram, starting with my fave of their submissions.

Le Devoir, Oct. 17, 2021

I love the contrast. The love the lines. The beautiful illustration by Audrey Malo. It is so clear where your eye is supposed to start, and clear that it’s not supposed to stop there. So well done.

Le Devoir, Nov. 21, 2021

The one above and below are both driven by the design, not an illustration. A great illustration is great on its own. I can be enhanced if used well. But these are just nice designs, with a basic image, images that couldn’t be more different. And below, the little condiment spills take this page to a new level. Love it. Smartly filling in some white space, but also using what is left wisely.

Le Devoir, July 14, 2021
Le Devoir, Sept. 5, 2021

And then an illustration-driven page. It’s a nice, simple illustration (for a talented illustrator! Who just happens to be Cécile Gariépy). And it’s used so well. The text doesn’t take away from the fantastic art. Nicely done, Le Devoir.

24 Heures

And finally a couple from 24 Heures. Both illustration driven. Smart art, well played, yet completely different illustration styles. Even the supporting material is played differently, with the head down the side on one, and on the art on the other. But it doesn’t take away from the art. It uses the space well. First by Benoit Tardif, next by Pauline Stive.

Just some incredible stuff. And this is just from Canada’s entries.

So that’s that. I am so happy to see there is still some amazing work going on in Canada, and around the world. Up next will be about some the best newspaper pages from around the world.

Read more, Designers Behind the Designs:
Stacie Kammerling, Star Tribune
Adam Rogers and Colin Smith, Villages Daily Sun
Caitlin Miller, Spokesman-Review
Raina Toomey, Postmedia
Tammy Hoy, The Canadian Press